Vermona audio gear

Vermona DSR-3

Effects & Processing

The Vermona DSR-3 is a stereo dual spring reverb processor in the effects category. It delivers stereophonic spring reverberation with multiple operating modes that support parallel, serial, and mono/stereo configurations for flexible routing and creative use. Key features include two spring channels, each with its own two-band equalizer (bass and treble) tuned to the springs’ response. The unit provides both 6.3 mm TS jack outputs and balanced XLR I/O, with custom transformers to balance the output. The DSR-3 can operate in three modes: STEREO for full stereo processing, DUAL for independent processing of two sources, and SERIAL for cascading reverberation to extend tails. These options enable lush, vintage-sounding reverbs with depth suitable for keyboards, guitars, and other instruments. In terms of inputs and power, it offers front unbalanced 1/4" inputs, rear unbalanced 1/4" inputs, and rear balanced XLR inputs, with a maximum input level of +18 dBu. The unit relies on an internal power supply and is designed for professional studio and live use, providing a distinctive spring reverberation character. The weight and dimensions place it as a substantial rack-mounted device suitable for integrating into larger analog or hybrid setups.

Vermona ReTubeVerb

Effects & Processing

The Vermona ReTubeVerb is a tube spring reverb effects processor. It is designed to deliver a vintage-style reverberation by combining valve-based circuitry with mechanical spring reverb, assembled in a compact 19", 2U enclosure. The unit is built to preserve the character of the input signal while adding a soft, tube-driven compression that is characteristic of real tubes. Key features include a three-band equalizer to tailor the spring’s response, and a robust construction described as well-suited for daily use. The device offers multiple input options, including 1/4" jacks on the front and rear (with rear inputs switchable to 0 dB or –20 dB), as well as XLR inputs at different sensitivity settings. Outputs provide both 1/4" and XLR options with specified output levels and impedances, enabling flexible routing in various studio or live setups. Typical use cases involve enriching instrument or vocal signals with warm, vintage reverberation and controllable tonal shaping via the built-in equalizer. The design emphasizes audiophile-level construction and hand-assembled quality, aiming for a unique spring reverb sound rather than a modern digital reverb alternative.

Vermona Mono Lancet ’15

Synthesizers & Sound Generators

The Vermona Mono Lancet ’15 is a monophonic analog desktop synthesizer in the category of rack-mounted synths. It is designed for lead, bass, and effects sounds, built around two oscillators, a noise generator, a low-pass filter, and a VCA to create warm, characterful tones. The unit emphasizes a straightforward, hands-on interface with dedicated controls for each parameter, aiming for quick sound realization without complex routing. Key features include two VCOs with multiple waveforms (VCO1: square, sawtooth, triangle; VCO2: square, sawtooth) plus a white noise source, a 24 dB/octave low-pass filter with resonant range, and a VCA with multiple modes (EG, GATE, ON). The DCOs offer octave ranges (8’, 16’, 32’ for VCO1; 4’, 8’, 16 for VCO2) and detune, with additional modulation options via MIDI (CC-based modulation wheel for pulse-width, pitch bend, and envelopes) and an LFO with several waveform choices. The device supports keytracking, an adjustable envelope generator, and auto-glide. Optional expansion via the Modular Dock Eurorack module adds additional connectivity to the synth’s sections. Typical usage scenarios include crafting classic analogue monosynth leads, basslines, and effect-centric sounds, with characteristics rooted in its hand-built, analogue signal path and its compact desktop footprint. A Modular Dock option allows integrating the unit into a larger modular setup for expanded routing and control. The Mono Lancet ’15 is manufactured in Vermona’s traditional hand-built style in Vogtland, emphasizing high-quality analogue construction. The unit is powered by an external DC 12 V, 1000 mA supply.

Vermona Filter Lancet

Effects & Processing

The Vermona Filter Lancet is an analog filter and overdrive unit designed for creative sound shaping. It features a multimode filter with 24-dB lowpass, 24-dB highpass, and 12-dB bandpass responses, paired with a discrete built VCA and an overdrive circuit. The design supports envelope and LFO modulation to drive dynamic filter sweeps, wah-like textures, tremolo effects, and more. The unit accepts CV and gate control for modulation, with a gate minimum of +4 V and external CV voltage of ±10 V. In terms of inputs and outputs, it provides typical audio I/O and CV/Gate integration suitable for integrating into modular or track setups. The enclosure is compact and metal, aided by a power arrangement that uses an external 12 V DC adapter, and the device weighs about 0.75 kg. Typical use cases include shaping individual tracks or complete mixes, applying per-note filtering with tempo-synced modulation, and adding aggressive or precise analogue character to sources ranging from synthesizers to vocal or guitar lines. The inclusion of drive, envelope follower, and modulation routing allows a wide palette of effects beyond simple filtering.

Vermona PERfourMER

synth

Vermona ’14 Analogsynthesizer

Synthesizers & Sound Generators

The ’14 Analogsynthesizer is a monophonic analog synthesizer from Vermona, categorized under elektroakustische manufaktur, synthesizer. It is handmade in Germany and is limited to 222 units. Its voice architecture centers on two analog oscillators, a lowpass filter, and a VCA, with two envelope generators, an LFO, and a vibrato generator. The instrument offers extensive sound shaping via a dedicated control surface with keyboard, pitch and modulation wheels, and individual controls for main outputs and headphone output. Key features include VCOs with multiple octaves and tunings, pulse-width modulation, a sub-oscillator, various modulation destinations (including VCF modulation), and an arpeggiator with multiple modes and up to 60 notes. The build emphasizes warm, musical analog character and hands-on control for dynamic lead and bass sounds. Connectivity supports flexible integration: unbalanced 1/4" line outputs, transformer-balanced XLR outputs, 1/8" and 1/4" audio inputs, and CV/Gate and MIDI I/O (IN, OUT, THRU). A sustain pedal input and a volume pedal with a trim-pot for minimum volume are included, enabling expressive performance setups. The unit weighs 6.5 kg and measures 770 x 310 x 150 mm.

Vermona Modular Dock

Modular & Eurorack

The Modular Dock is a Eurorack extension for Vermona’s Mono Lancet and Mono Lancet ’15, designed to route the VCOs, VCF, and VCA from those synths to the outside world and expand their functionality within a modular system. It enables cross-modulation, pulsewidth and amplitude modulation, and offers additional modulation and external integration options to broaden the sound palette. With Modular Dock, you can extend the Mono Lancet’s sound engine by adding external VCAs, the fourMulator, VCDrive, or modules from other manufacturers, creating new sonic possibilities. The module acts as a bridge between Vermona’s compact core and a Eurorack setup, making it a potential starting point for modular exploration or a substantial upgrade to an existing system. Typical use scenarios include pairing the Dock with Mono Lancet ’15 to learn its new modulation capabilities, or using it to sculpt external sources through the Mono Lancet’s filter and envelopes. It supports inputs for FM and PWM on both VCOs, a VCF input, CV and VCA control, and 1V/octave CV and gate for the VCOs, along with dedicated outputs for VCOs and a 1V/Octave CV.

Vermona PERfourMER MKII

Synthesizers & Sound Generators

The Vermona PERfourMER MKII is a quad analog synthesizer in a rack format. It comprises four independent monophonic synth channels that can be linked or played together in various configurations, effectively yielding four voices or an ensemble of individual instruments. Each channel is built around a classic VCO/VCF/VCA signal path, starting from an analog oscillator with multiple waveforms and a noise source, through a 24 dB/Oct low-pass filter with adjustable resonance, and into a discrete VCA. Modulation options include a flexible LFO and an ADSR envelope generator for VCO, VCF, and VCA, with support for hard-sync and FM interactions between channels. The design supports diverse play modes (monophonic, duophonic, polyphonic) and synchronization between channels, enabling complex textures and layered sounds. Typical use cases include live performance and studio sound design, where a single PERfourMER MKII can function as four separate instruments or as a cohesive four-voice synth. The device offers MIDI control and optional CV/Gate inputs, with individual channel controls for each function, facilitating real-time manipulation and hands-on exploration of subtractive synthesis and evolving textures.

Vermona Retroverb Lancet

Effect Pedals

The Vermona Retroverb Lancet is an analogue multi-effect processor designed for effect enthusiasts. It combines spring reverberation, analogue multimode filtering, a VCA, and overdrive, all modulated by an ultra-fast LFO and a flexible envelope. The module is tailored to accept signals from guitars, basses, keyboards, organs, or microphones, and can generate percussion sounds using a dedicated crash function. Key features include a three-spring reverb with a selectable pre- or post-routing path, a versatile filter with 24 dB/octave slopes (low-pass, high-pass) and 12 dB/octave (band-pass), and a control set that includes an envelope generator, envelope follower, and external CV for modulation. The device uses an external 12 V/1000 mA power supply and remains fully analogue, offering a broad palette of textures from subtle modulation to more aggressive tones. Common use scenarios encompass shaping guitars, synths, or vocal material with space and character via spring reverb, dynamic filter sweeps, and harmonic overdrive. The unit’s crash and envelope-driven modulation enable percussive, tempo-synced, or evolving effects, making it a flexible sound-design tool for studio and performance contexts.

Vermona Action Filter 4

Effects & Processing

The Vermona Action Filter 4 is an effects unit designed for live action and creative sound sculpting. It features two channels of 24 dB/octave filtering with separate high-pass and low-pass controls, plus two resonance controls and a TRIGGER button for on/off dynamics. For the first time, the unit provides both jack-format I/O in addition to the standard RCA connectors, making it suitable for studio or live setups. Technical highlights include two unbalanced inputs (2x TS and 2x RCA) and two unbalanced outputs (2x TS and 2x RCA). The device operates with a minimum input sensitivity of –16 dBu and a maximum input level of +22 dBu, with an impedance of 10 kΩ. The maximum output level is +15 dBu. It is described as an analog filter with a distinctive sound signature and a rugged design intended to withstand live performance. Typical use cases include live performance and studio routing where users want hands-on control without automation. The unit emphasizes manual frequency sweeping and rhythmic blending of the effect, relying on its responsive physical controls for a tactile sound shaping experience.

Vermona VSR 3.2